Over the
years, my work has retained a
focus of simplicity. I have
always had an admiration for
design that boasts clean lines
and attention to details. It
is these two elements that are
the prominent backbone of the
furniture I construct. They
are also the common ties
between the various styles I
build. Hence, my furniture
falls into Early American
Primitives, Shaker, Mission
and Arts & Crafts,
Contemporary, and Original
designs. Though these styles
span a wide period of history,
the clean design element
remains at work in all of them
and provides a unifying factor
despite the distinct and
unmistakable style aspects of
each genre. Each of these
genres' is often occupied by
several distinct
characteristics.
Probably the most obvious
characteristic of each of
these styles is the type/s of
woods used. Certain species
of wood are commonly
associated with different
styles of furniture.
Sometimes this had to do with
local availability, and
sometimes it was a matter of
popular choice.
Early American
Primitives often used
wide-plank pine or poplar as
the predominant material
because it was both readily
available and because tools
weren't particularly
"high-tech". Therefore the
bigger or wider the board, the
less prep work was required to
efficiently construct a solid
and durable piece of
furniture.
The Shakers were
also practitioners of clean
and efficient design. Their
lifestyle was based upon
simplicity and function. Maple
and cherry woods were commonly
the woods of choice in their
furniture.
Mission and Arts &
Crafts style furniture
were most commonly constructed
of quarter-sawn white oak and
often contained many evenly
spaced slats and
through-mortised joints.
Mahogany was often popular as
well.
Contemporary and
Original design pieces
often run the gamut in their
use of fine hardwoods. Often
several contrasting species
will be used in the same piece
for dramatic effect. Original
design pieces will often be
works of mixed media as well
to incorporate such elements
as metal, stone, glass or
ceramics for distinction.
My pieces are always
constructed of top quality
woods, which I personally hand
select for best color and
grain match to enhance the
finished results of each
individual piece. Some of my
primitive pieces are made of
genuine old timber often
salvaged from old buildings
and re-milled for consistency.
Primitive reproduction pieces
are generally made from wide
stock that is in keeping with
the originals. Often
authentic cut-nails are used
where appropriate and edges
are burnished and exhibit
quirk beading.
As a rule, my furniture
is constructed with a wood
species most appropriate to an
individual style, though that
does not have to be a hard and
fast rule. I will blend woods
where requested if a certain
"look" is sought or if
something existing is being
matched. Pieces may also be
constructed with various
assembly techniques depending
on use or application. For
example: often a client will
request a dining table with
traditional mortise and tenon
leg/apron joinery. This is
readily available, though a
more common approach is to
construct the leg as a
detachable piece that is
mounted into a well-executed
corner-mounting block. Though
this is somewhat less
"traditional," it has several
distinct advantages: i.e. the
ability to tighten legs
periodically with simple hand
tools to compensate for
seasonal humidity variations,
and to easily remove legs for
shipping or moving, thus
reducing the risk of damage.
Either construction style is
acceptable and available and
will have no bearing on the
final appearance or durability
of the piece.
My primary goal in
furniture construction is to
build a piece that is both
visually appealing and
structurally sound as to
provide years of enjoyment and
service.
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